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Reading Mastering Meters

Mastering meters are useful only when read together. A single number cannot tell you whether a master is good.

The browser demo shows loudness, peak level, crest factor, correlation, phase scope, and stereo image. These meters answer different questions: how loud it is, how safe it is, how dense it is, and whether the stereo image will translate.

Read meters in groups, then trust your ears

No single reading proves a master is good. Loudness + peak answer "is it on target and safe"; crest factor + correlation answer "is it still alive and mono-safe". Use the meters to catch problems, then confirm them by listening.

The Main Readings

MeterQuestion it answers
Output LUFSIs the master near the chosen delivery target?
Peak / True PeakIs there enough peak safety for playback and conversion?
Crest FactorDoes the track still have peak-to-average movement?
CorrelationIs the stereo image likely to survive mono playback?
Phase ScopeIs the stereo field balanced or unstable?
Stereo ImageIs width coming from useful side energy or risky spread?
METERS · LOUDNESSIDLE
Loudness metering — LUFS, true-peak, and range

The bar tracks momentary loudness as the clip plays; the panel is the loudness over time. Integrated LUFS is the single overall number, true-peak is the real ceiling between samples, and LRA captures how much the loudness moves. Switch the window to compare the fast momentary meter with the smoother short-term one.

Window

What To Check First

Start with loudness and peak safety. A master that misses the target or clips is not ready.

Then check crest factor and correlation. A track can hit the target and still feel lifeless if the crest factor is too low. A track can sound wide in headphones and still collapse badly in mono if correlation is unstable.

Do Not Chase Perfect Numbers

Different genres behave differently. Dense EDM, sparse acoustic music, speech, and AI-generated music should not land on identical crest factor or stereo values.

Use the meters to catch problems, then confirm them by listening:

  1. Compare before and after with loudness matching enabled.
  2. Listen for lost punch, harshness, pumping, and stereo imbalance.
  3. Check whether the reference track is in the same range, not whether the numbers are identical.
Implementation notes

The demo uses two measurement paths:

PathPurposeWhere it appears
Lightweight UI metricsImmediate feedback while interactingVue components
Authoritative render metricsValues to keep in the reportlibsonare render result and JSON report

Peak, RMS, crest factor, and correlation in the UI are sampled from the source or rendered buffers with a stride — reading every Nth sample rather than all of them — so the interface stays responsive. The phase scope and stereo image are visualization aids.

Because the UI metrics and the post-render metrics come from separate paths, the numbers can differ slightly. Treat the JSON report as the processing record.

The preset validation script runs generated test signals through the mastering chain.

It checks three practical things:

CheckWhy it matters
Finite LUFS valuesThe loudness path did not produce invalid numbers.
Bounded peak levelsThe chain did not create runaway output.
Expected stage namesThe preset wiring still matches the public report shape.

This catches processor wiring breakage or preset-definition inconsistencies before they reach the demo or downstream users.

Related: LUFS, True Peak, Crest Factor, Mono Compatibility