Channel Strip

A channel strip is one track's lane in the mixer. It is the column of controls that processes a single part, such as a vocal, bass, or drum bus, before it reaches the master.

ENGINE · LANE MIXERIDLE

The engine lane mixer — faders and mutes inside the playback engine

Three MIDI clips loop through the realtime engine: each track occupies a lane with its own channel strip. The faders call the strip setters and the mutes call setSoloMute — every band below is the engine’s actual per-lane output, re-rendered through renderOffline as you move the controls.

Lead fader

0 dB

Bass fader

0 dB

Drums fader

0 dB

Mute lead

Mute bass

Mute drums

The processing order matters. Once you know the order, it becomes much easier to predict what every control does.

This page goes deeper than Mixing Basics and grounds the model in libsonare's ChannelStrip.

The fixed signal order

libsonare processes each block of a strip in one fixed order. Reading it top to bottom explains most "why did that control behave like that?" questions:

1. Input trim — a clean level adjustment on the way in, before anything else sees the signal.
2. Polarity invert (L/R) — flips the waveform; used to fix phase between mics or channels.
3. Channel delay — time-aligns the track against others (sample- or millisecond-accurate).
4. EQ — tone shaping; its position can be pre- or post-fader (see below).
5. Pre-fader inserts — in-series processors that run before the fader.
6. Fader (+ VCA offset) — the balance control you ride against other tracks.
7. Pan — places the track across the stereo field, using the chosen pan law.
8. Post-fader inserts — in-series processors after the fader.
9. Stereo width — narrows or widens the stereo image.
10. Meter / goniometer tap — measurement, not processing.

Why the order matters

The order is not cosmetic. It changes what each processor hears.

Placement	What happens
Compressor before the fader	It reacts to the raw level and keeps reacting the same way as you move the fader
Compressor after the fader	It reacts to your balance moves
Pre-fader send	It taps before the fader, so it is independent of the mix balance
Post-fader send	It follows the fader, so the effect stays proportional as you ride the level

Picking the wrong tap point is one of the most common routing mistakes.

EQ position

EQ can sit pre- or post-fader. Pre-fader EQ shapes the tone the inserts and fader then act on; post-fader EQ shapes the already-balanced signal. libsonare exposes this as a strip option rather than forcing one choice.

How libsonare models a strip

A strip is a ChannelStrip configured by ChannelStripConfig, processing a block through trim, polarity, channel delay, EQ (EqPosition chooses pre/post-fader), pre-fader InsertSlots, fader with VCA offset, PannerProcessor (PanLaw/PanMode), post-fader inserts, and StereoWidthProcessor, in that order. TapPoint marks where pre- and post-fader sends and the GoniometerBuffer/MeterProcessor read the signal. All gain and pan changes are parameter-smoothed and the path is real-time-safe (pre-allocated, denormal-guarded), so the same strip runs offline and inside an AudioWorklet.

Related: Mixing Basics, Buses and Sends, Pan and Stereo Width, Mixing Engine